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Dream weaver, tale spinner, portrayer of visions, interpreter of the human spirit, Gerald McDermott is all of these and more. Through his bold, graphic renderings of timeless tales from around the world, McDermott communicates his deep understanding of the transformative power of myth. His work is an evocation of the human quest for unity and completeness. |
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Upon graduation, McDermott was awarded a National Scholastic scholarship to New York's Pratt Institute. He took a leave of absence during his junior year to become the first graphic designer for Channel 13, New York's educational television station, the year it went on the air. He also designed and directed his first animated film, THE STONECUTTER. McDermott then toured Europe, visiting and exchanging ideas with filmmakers in England, France, and Yugoslavia. |
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He returned to Pratt to finish his degree and began producing and directing a series of acclaimed animated films on folklore. It was then that he met Joseph Campbell, a critical moment in his life. Campbell served as the consultant on four of McDermott's films and they began a friendship that extended over many years. Campbell was instrumental in making this gifted artist aware of the psychological depths of mythology and the possibilities of integrating cultural and archetypal symbols into his art. McDermott then began to adapt his films into picture books. His first book, Anansi the Spider: A Tale from the |
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| Ashanti, was named a Caldecott Honor Book. His subsequent
books include Arrow to the Sun: A
Tale from the Pueblo, which won the coveted Caldecott Medal, and Raven:
A Trickster Tale from the Pacific Northwest, another Caldecott Honor Book. It is symbolic of his extraordinary talent as an artist as well as his insight into human behavior that the mature themes of his books give him an audience that spans adults as well as children. He is extremely popular and sought after as a fascinating and entertaining speaker and lecturer. |
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| AOSA Board Member Jacque Schrader, remarked, "Beyond the obvious appeal to our imaginations, what is it that makes Gerald's stories and illustrations so magnetizing? Is it his sensitive use of language, the simple beauty of the rhythm of his text? Is it the extensive research he does into the symbolism and background of the culture from which the story comes? Is it the emotional reaction we have to each book's carefully chosen palette of colors? Or is it his background as a filmmaker that enables his illustrations to dance across the printed page? It could be any of these things - it is most likely a combination of ALL these things, that makes Gerald's work what it is." | |
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In addition to being the first Fellow of the Joseph Campbell Foundation, McDermott is also a leader at "A Mythological Toolbox", a workshop at the Esalen Institute in Big Sur, California. Initiated by Campbell, the annual retreat continues to bring people together to explore the mythological aspects of their lives. |
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In 2001, McDermott visited Japan for a month-long tour sponsored by his Japanese publisher. Gerald visited five cities and gave presentations about his art in a country where his books have been well-regarded and highly popular for many years. In August, 2003, he gave a major presentation on the art of the picture book at the Maui Writer’s Conference in Hawai’i. October 2003 marks the publication of CREATION (Dutton), Gerald’s visual meditation on the first creation story from Genesis. write to: Gerald McDermott. send mail to: Gerald McDermott Photo by Jean Pritchard Illustrations copyright © 1974-2003 by Gerald McDermott
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